Vox Mv50 50w Rock Guitar Amp Head Review
Our Verdict
Superb innovation from Vox.
Pros
- Superb hot-rodded 'Plexi' sounds that sound bully for both live and recording environments.
Cons
- Not and so much clean headroom bachelor hither - simply with sounds this proficient, we don't mind.
MusicRadar Verdict
Superb innovation from Vox.
Pros
- +
Superb hot-rodded 'Plexi' sounds that sound slap-up for both live and recording environments.
Cons
- -
Non so much clean headroom available here - only with sounds this expert, nosotros don't mind.
One of the hottest product launches at this year'due south Winter NAMM was also i of the smallest.
Vox's new MV50 heads are not much bigger than a stompbox and come in 3 dissimilar flavours: Clean, Air-conditioning and Rock. The Rock variant is a hot-rod that is inspired by classic British amps of the 70s. It is likewise the model that we're looking at today.
While Class D power delivers a maximum of 50 watts into a iv-ohm load, the real revolution is in the preamp. The MV50 use valves - not merely whatsoever valve but a new blueprint called the Nutube 6P1: a clever bit of lateral thinking by Vox owners, Korg that uses a tiny fraction of the energy of a 12AX7.
This lil' valve was commencement appear at the Winter NAMM show of 2015 with a couple of relatively low-key prototype demos to examination the water. However, anticipation has ramped up with the inflow of these MV50s at this twelvemonth'southward evidence.
The Rock has a blackness and chrome steel chassis; a diamond-shaped window on the superlative shows off the neat 6P1 valve, while the control console's principal characteristic is a backlit VU meter. Removing four modest machine screws releases the hat, exposing a miniature work of product engineering art, where practically every cubic centimetre of space is filled with something. 4 smart red PCBs support a mix of surface mount and miniature detached components, with the 6P1 (sat on its ain lath) piggybacked over the chief PCB.
It's supported on anti-daze mounts and continued with a multi-pivot plug, making replacement straightforward if needed. Under a magnifying glass, information technology's just possible to brand out the 6P1'south unmarried wire cathode and the lattice of the control grid.
Forth with a unmarried input jack, each amp has three mini chickenhead knobs, used for gain, tone and volume. The rear panel features a speaker-emulated headphone/recording output and an EQ switch that changes the output from a apartment response, intended for large cabinets, to an enhanced bass lift that works with the MV50's partner cabinet, the peculiarly designed BC108.
There's a unmarried speaker outlet with switchable four-, viii- and 16-ohm impedance settings, as well equally a ability switch together with an 'Eco' role that turns the MV50 off later on near fifteen minutes of idle fourth dimension, and a socket for the laptop-fashion 19-volt DC power supply.
We like the raked-back control panel and colour-coded diamond pattern behind the famous Phonation logo, which gives the MV50 a distinctive retro- mod look, with a tiny hint of Spinal Tap 'Mr Horsepower' from the VU meter that's certain to appeal to many players.
Sounds
The Rock is exceptionally serenity, with very depression hiss levels and null hum, thanks to the external DC ability adaptor. You might recollect with only three controls on the forepart console you'd be somewhat express in terms of tonal range, just that's non the case. This amp is perfectly dialled in.
The MV50 Rock delivers stunning hot-rodded 'Plexi' tones, covering archetype Hendrix and Kossoff at lower settings, while the upper reaches of the Gain knob will get yous Baton Gibbons and Van Halen, with a few appropriate effects plugged in.
The addictive response of these heads feels 'real'. You're not plugged into a digital facsimile; these are proper amps, illustrated by the 6P1'due south anodes flickering equally you play. Real valve dynamics kick harder when you dig in, with tons of harmonic overtones, and sweeten up as you back off the guitar'southward book.
The addictive response of these heads feels 'real'. You're non plugged into a digital facsimile; these are proper amps
In that location's plenty of power on tap; the specially designed ported BC108 cab is amazingly loud for its size and very usable for lower-powered gigs, while plugging the MV50 into a 4x12 unleashes sufficient volume levels for nearly small pub gigs. For home recording, you tin can disconnect the speaker and utilize the splendid headphone/line out for pro-standard results.
With The Stone, at that place's no channel switching, digital furnishings or loops, merely what you do go is serious tone that holds its own in any environment with plenty power for recording, rehearsal and small gigs, in a package no bigger and no more expensive than a high-quality stompbox.
From beginner to pro, the 6P1-powered MV50 could very well turn out to be a game-changer. Information technology's a credible step into the time to come and proof that, after over one-half a century, the Vocalism spirit of innovation is still very much alive.
Source: https://www.musicradar.com/reviews/vox-mv50-rock-head
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